Mouse on Mars is recognised as one of Germany’s most defning and versatile electronic music projects. With their anarchic mixture of sound that oscillates between uncontrollable chaos and meticulously arranged structures, Jan St. Werner and Andi Toma have forged a unique musical language, which is readily decomposed by the unpredictability of its myriad mutations. Free from schools of thought, genre conventions, and from the constraints of the music establishment, they have worked under the Mouse on Mars alias for 24 years, mapping their own idiosyncratic trajectory through a no man’s land between pop, art, club music, and the avant-garde. - Jan Rohlf “Idiology takes the acoustic experiments of Niun Niggung even further, and it’s this combination of electronic and ‘traditional’ music -- melding keyboards and synthesizers with french horns and guitars and trumpets into a seamless whole -- that points the way through the dead-ends of most electronica.”