Mouse on Mars is recognised as one of Germany’s most defning and versatile electronic music projects. With theirrnanarchic mixture of sound that oscillates between uncontrollable chaos and meticulously arranged structures,rnJan St. Werner and Andi Toma have forged a unique musical language, which is readily decomposed by thernunpredictability of its myriad mutations. Free from schools of thought, genre conventions, and from the constraintsrnof the music establishment, they have worked under the Mouse on Mars alias for 24 years, mapping their ownrnidiosyncratic trajectory through a no man’s land between pop, art, club music, and the avant-garde. - Jan Rohlfrn“Idiology takes the acoustic experiments of Niun Niggung even further, and it’s this combination of electronicrnand ‘traditional’ music -- melding keyboards and synthesizers with french horns and guitars and trumpets into arnseamless whole -- that points the way through the dead-ends of most electronica.”