TRYGGHET's first record TWO VIEW deals with partially composed but to a large part improvised repetitive music, influenced by minimal, ambient, jazz, post-rock, and modern classical music. There is no soloing, but rather a common process of developing improvisation by all three musicians on the two pieces of TWO VIEW. Another foundation for the record's sound is the use of field-recordings of cars and trains to fill the sound-realm of the (absent) drummer while the musicians make an attempt on his rhythmical role. The field-recordings are to the music what film-music is to a film: they support and complement the story.