Hailing from Finland, Deymare and has been into house/techno music since 1991 from buying his first techno records, going to parties as well as DJing. Nowadays his focus is on music production. Over the last two years Deymare has seen his stock quietly by releasing on well respected Morris Audio City Sport that subliminally seems to act as a fertile breeding ground for emerging artists within the house and techno scene. Deymare’s debut on boe is a heady affair of multiple percussion layers seamlessly woven amongst delicate Rhodes melodies and vocals that although subtle, sing with vitality and soul that a lot of modern deep house is lacking. His compositions seem to have a life of their own with their complex rhythmic patterns and deliberate raw edges. Your Love is a slow low-slung piece of dance music that could be described as disco, soul, house or any combination of the three. It’s a crystallisation of early KDJ and modern slow house sounds purely aimed at the dance floor. Its balance of layered drum patterns, off beat snares and drum rolls allow the track’s presence to build and grow at the same time. The catchy male vocal is the focal point as a wall of bass hits you like steamroller with an intent to shake you to your bones. Rhodes chords and exquisite arrangements create a soulful atmospheric track that grooves well beyond its slow tempo. It’s complex house music without the noodle. Talking About That is a slow but effervescent and melodic rolling deep house track. A cleverly sampled vocal from an interview about record shopping is the focus as the groove rolls on with its moody Rhodes stabs, delicate keys and subtle piano work. It’s as much a perfect work out for deep house jocks and disco heads as it is for home listening. Tomorrow Was Yesterday is a unique take on modern garage sounds with Deymare’s trademark sample heavy percussion and an unmistakeable eye for detail and originality. It’s a piano heavy work out echoing early New York as much as it hawks to vintage Herbert. It’s jacking hi hats a plenty with rumbling bass and a surprisingly cheeky bouncy acid lead for good measure. It’s end of Summer music for the terrace. On remix work is label boss Ben boe. Taking the original vocals and squeezing the Rhodes, Ben creates a stripped down solid deep house track perfect for warming up a dance floor and getting things busy.