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Slowdive’s fifth album, is exactly what the titlernsuggests: an exploration into the shimmering nature of life and thernuniversal touch points within it.rn While there are parts of this record that could sit neatly next to thernatmospheric quality of 1995’s ‘Pygmalion’; ‘everything is alive’ alsornmanages to break down the boundaries of what’s come before it.rn Spanning psychedelic soundscapes, pulsating 80’s electronicrnelements and John Cale inspired journeys, the album landsrnimmediately as something made for 2023 and beyond.rn For a genre that is often thought of as divisive, and often warrantsrnintrospection, here Slowdive show their craft as the masters of itrnby pushing it outwards, beyond the singular; the end result being arnrecord which feels as emotional and cathartic as it is hopeful.rn Slowdive return with their sophomore album on Dead Oceans,rnproduced by Neil Halstead and mastered by Heba Kadry