Here we go with the insanely productive Pieter Kock of Berlin’s OTannenbaum, who serves up an album full of polyrhythmic collages, hovering ostinatos and explosions. General aesthetics of sound: flying marble in an underground scenario totally overground. Planet of the Superapes, being a soundtrack of now, is composed of the following chapters: Night Clubs: hard grooving eight and a half minutes, gently topped with cosmic synths and distant choirs. Phillipines: strings and weightless vocals telling of hope and loneliness over a driving beat. Oedipus Listen: euphorically floating atmosphere. ecstasy. Planet of the Superapes: title track: dark, ghostly, naked, melancholic, dramatic. With a good pinch of optimistic fun. Page 25–30: total apocalyptic drama, agressive rhythm. A warm and inviting yet alienating record for an interesting summer. only 300 pressed