The first release on Koo Editions features a documentation of Pavel Pepperstein's exhibition in the Russian pavilion of the Venice Biennale in 2009. Since 2009 was the year of the centenary of the Futurist Manifesto, the thematic reference looks to the historical Avant-Garde: it is in fact a work of Russian Retrofuturism and bold beauty. The vinyl features an extended track of Ilya Dmitriev, a mixable retro electronic flow deliberately influenced by 80s disco archetype. Pepperstein's speech blows over the beat from the ultraworld and goes in an unexpected direction, far from any hedonistic exaltation, embracing a severe criticism of a future towards which he absolutely does not want to tend. The artist, of unquestionable fame and international value, takes strong positions against the western cultural narrative and art market policies which deserve to be slammed in the face of today's public, like MiG that lands in your living room. Koo Editions comes on vinyl purposing a selected documentation from art exhibitions, interviews, intermedia collaborations. KOO EDITIONS was born with the idea of using the vinyl medium as a moving exhibition space, referring to the relationship between certain experiences of visual art with the listening one. Why the record? Because the catalogs don't speak. The record is a place: "Where" in fact, deputy to the sound testimony of something that has already happened, can be preserved to be able to enjoy it from a distance (of time and/or space). The intent of KOO EDITIONS is not to launch a precise style or a defined aesthetic, but to put the accent on the voice of peculiar and seminal attitudes linked to the world of visual art. The record introduces an inversion of focus, compared to what usually happens in artistic events where the eye and not the ear is the master. This is not a matter of sound art, vinyl art, net art or anything else: the medium is NOT the message, but conveys it. The target audience is both that of the lovers and regulars of artistic events. One of researchers of particular records, which can also be DJs looking for adventures. The former will be able to purchase an artist's reference at the affordable price of a vinyl edition without having to come across the typical costs that an art collector usually faces, while the latter similarly to what has always happened for film soundtracks, will be able to approach a cultural sector usually distant from them by listening. The editions will be published in limited and numbered series, as are the art multiples, to underline their cultural significance and their collectible aspect. They are treated with the care that non-homologated historical content deserves. They will also be accompanied by unpublished material such as interviews and critical texts that will be published train on train on the site kooeditions.art, under construction. KOO EDITIONS is an independent documentary project by Giovanni De Donà, and is the result of experiences, risks, interests and personal research. Tracklist A The Future 10:36