Fleury writes, arranges and plays in a dizzying variety of musical styles at the intersection of traditional and modern Brazilian musical traditions. The secret ingredient across albums by Gal Costa, Emcida and João Donato as well as with his own group, São Paulo’s (Afro Brazilian take on) Afrobeat collective Bixiga 70, Fleury writes, arranges and plays in a dizzying variety of musical styles at the intersection of traditional and modern Brazilian musical traditions. Fueled by a wanderlust that only a global pandemic can inspire, with Revoada Mauricio and his trio transport listeners to far-flung destinations. Recorded in Brazil and released by Altercat out of Berlin, this flock of songs migrated across oceans and timezones to eventually take flight to the rest of the world. The trio is completed with long-time collaborators, Fabio Sá on bass and Vitor Cabral on drums, who anchored Fleury’s frequent residencies at the São Paulo Blue Note in 2019 years, a creative phase when many of these songs first emerged. Co-founder of Veneno Soundsystem, a São Paulo open-format all-vintage vinyl DJ crew, Fleury is skilled in the art of taking dancers (and wallflowers alike) on musical excursions to exotic, dramatic, and funky locales. The artful sequencing of these six songs across esoteric styles and vibrations uncovers a narrative dimension to the album’s theme of travel and migration.