Guy Andrews has been a prominent name on the underground circuit as of late, racking up a reputable back catalogue with releases and remixes for the likes of Hotflush, Hemlock and The Vinyl Factory. Andrews has seen heavy support on the aforementioned singles from the likes of Lorca, The Black Dog and A1 Bassline, testament to his classy, understated take on house and techno. Here Guy joins the FINA Records roster, following a release from DFRNT, a striking indication of the attentive A&R approach of the label so far this year. The release opens with ‘Divide’, a brooding house cut employing punchy organic drums, smooth ethereal synthesizers and dubbed out chord progressions as its driving force. Andrews throws in a modern drawn-out bass hook to add a contemporary touch to the otherwise classic format, resulting in a classy, understated opener for the EP. Up next we have, ‘7AM’, embracing a similarly natural percussive edge, with rolling toms, heavily reverberated claps, and shakers taking the reins, while emotive melodies and bulbous low-end tones drive the musicality. First up on the B-Side is ‘Fixture’, taking on a more direct 4/4 approach with raw distorted drums, gritty electronic synth hooks and a blossoming atmospherics. The record builds in this state for several minutes, before Andrews reverts back to the punchy drum groove and hypnotic pads to tail things out. Lastly to close the EP Guy offers up ‘Tapes’, tipping the focus towards an off-kilter, deep aesthetic, with broken kicks, claps and shuffling hats, while swirling synths, vocal snippets and heavily delayed Rhodes build a profound depth around them.