A multi-platform production that explores the overlap between the digital and the or-ganic through field recordings of Inuit throat singing may sound, on surface level, to be something that is a rather niche. However, Zoe Mc Pherson’s exploration of this world on String Figures is a deeply rhythmic, immersive and forward-thinking piece of elec-tronic-leaning music that remains just as danceable as it does experimental. The album is fundamentally one of duality, exploring the traditional and the contem-porary, organic and electronic, audio and visual, history and the future. Rooted in this duality is also a core theme around string being one of the most ancient and playful art forms and the seemingly infinite possibilities it offers in terms of shapes, structures and figures lines up with this as a trans-global art project.