Recorded in Berlin over the last few months, The Observer At The Starhouse sparks with a rare magic as Dr Alex Paterson and long-time Orb member Thomas Fehlmann construct a panorama of stripped-down backdrops to provide the perfect backdrops for the Upsetter’s inimitable pronouncements, righteous declarations and sweet vocals. The Orb have long been known for their assimilation of deepest dub into their stratospheric sonic innovations, as evidenced on U.F. Orb’s Towers Of Dub, itself something of a Lee Perry tribute with its sound effects and distinctive underlying eccentricity. Starting in the late 60s with the Upsetters, Perry wrote the book on Jamaican mixing desk trickery, then constantly ripped it up to create new aural blueprints for the music via his Black Ark productions of the following decade, since then charting a waywardly idiosyncratic path which has ensured legions of followers absorbing his every move. As he states on the new album, he was instigator of the punky reggae crossover, working with the likes of The Clash and the Slits. With Alex’s punk roots, this was a union which could work on the street just as well as in the stars. Meanwhile, Thomas has been at the forefront of Germany’s electronic music scene since his pioneering avant foraging with Palais Schaumburg in the late 1980s, becoming part of Berlin’s rapidly-evolving techno underground, working with Sun Electric and many of the city’s major artists and operations, including the mighty Kompakt.