rawn from his six monumental singles for the Philips, Amha and Yared labels between 1970-73, revolutionising traditional Eritrean music via the innovations of amplified kirar, electric guitar and horns. Thick, deep declarations and considerations of love over a mixture of sombre and joyous tunes (with the hand-clapped beat often shifting into double-time near the end). Co-released with Mitmitta Musika in Addis Ababa; handsomely presented in a tip-on sleeve, with extensive liner notes, translations and exclusive photos.