Acustica: For this acoustic sources-only mix, Stefan Goldmann cut up a vast library of recorded interpretations of 20th century avant-garde compositions. Layered segments of individual instrumental and chamber performances form emergent orchestral opulence – just to spill over into actual orchestral segments. Goldmann has tackled acoustic archives before with his edit of multiple recordings of Igor Stravinsky's 'Le Sacre du Printemps'. However, this mix traverses the disparities and convergences of seven decades of score-based music with impressively results. A meta-level polystylistic work that explores vast potentials of integration, interaction and interference. An antidote to the prevailing practice of sounding compositions in scattered, sterile isolation. Here, opposing concepts of music are channeled into one continuous flow, with a coherent DJ performance as the vehicle.