Panorama Bar resident, Love On The Rocks label boss and one of dance music’s most in - demand DJs, producers and remixers, PARAMIDA returns to her own imprint with ‘Devil’s Destination,’ her first EP in 3 years. Set for release on 9th May, it features two br and new solo tracks, a collaborative re - interpretation of a rare 2000s tech house classic with E - Talking, and a remix by the legendary Mathew Jonson. PARAMIDA’s reputation as a digger and student of dance music is translated here into an EP that showcases her unique and interdisciplinary approach to production, curation and DJing, threading the needle in a way that pays tribute to the past, locates itself in the present, and pushes forward into a new and exciting future – the hallmark of her label, describe d by Groove magazine as “one of the best house labels of the decade. ” Out today, the EP's title - track wastes none of its 8 - minute runtime getting to the point: a huge, enveloping bassline (courtesy of 90s progressive trance producer Musique de Marque), to the effect of instant chills. If Love On The Rocks releases can be def ined by certain characteristics, one of them is undoubtedly the presence of big emotional hits. PARAMIDA wants her listeners to feel something, with the full impact of emotions that can only truly be felt on a dance floor. A swirl of vocal samples and hi - h ats precede it, before it drops directly into a thumping percussive workout replete with huge kicks, dubby bleeps and rewinds. Calling back to the cross - pollinated sound of 90's house, breakbeat and rave to devastating effect, she punctuates segments of ju mp - up energy with pauses that propel the listener right back into the feels, before unleashing a groove as introspective and melancholy as it is connective and ecstatic. PARAMIDA had this to say on it: “I originally wanted to release an album to complete a trilogy alongside my last two EP's, but life and my own perfectionism got in the way, so I decided to deconstruct it. ‘Devil’s Destination’ is my first solo release in 3 years, and everything I create is inspired by the records I play. For the title track I used the bassline of Musique De Marque’s track ‘Tea Bag’ (1996)” PARAMID