This record represents the first opportunity for an Italian jazz composer and arranger to express himself with complete freedom. Up to now it seems to me that Italian jazz has been focused almost entirely on the figure of the soloist, with the obvious result that — when they adopt American themes and arrangements — the Italian version pales in comparison with the original. On the other hand, when the execution is left entirely to the imagination of the musician, it’s inevitable that for the duration of the record we are entirely at the mercy of the variable quality of the soloist’s inspiration. So, what better setting for a jazz musician than a new arrangement of the original, supporting him in the solos and alternating the ensemble writing withindividual improvisation? It helps him coordinate his ideas, develop them — and catch his breath!