Organic Art Movement�s newest signing Morgan Hood, serve up a smorgasbord of atmospheric techno, dubbed out textures and staunch analog muscle. Morgan Hood survey a sonic landscape that explores the intersections that occur within Oramics range of emotions that are both tough and commanding yet nuanced and subtle. These spectral adventures utilise a sonic arsenal that covers a broad range of electronic and acoustic tones peppered with field recordings of electromagnetic interference, echo chambers and static. In Mega-Caller, course strokes of electronic interference fizz and spray into a silhouette of dubbed out melancholia to form a backdrop to which vast chords emerge without warning and disappear into the ether. The ground is shaken with a monolithic bass that almost threatens to shatter the delicately constructed arrangement of hand recorded claps, particles of static and other electroacoustic oddities. Potent Techno-Noir anthem �Safari� compels us to envisage an Orwellian disco. Bauhaus frequencies and Icey reverbs are the order of the day here with chilling pads dissipating into a smoke filled ether. Meanwhile, the low frequency spectrum is driven by a myriad of unpredictable bass excursions, tumbling and waltzing with their percussive cousins; distorted cowbells, murky toms, and a deformed mutant of an acid house loop. Consider this an unlikely new soundtrack to London�s underground. Early support for Morgan Hood's debut EP has came from Davide Squillace, Arnaud le Texlier, Valentino Kanzyani, Jesse Rose, Tensnake, Troy Pierce, Mathias Schaffhauser, Tim Green and many more.