The trained pianist Max Loderbauer, together with Ricardo Villalobos, has just breezily launched the jazz sanctuary of the Munich-based ECM records into the ether as "Re: ECM". On the new adventure he now logically again finds himself working with sanctuaries. For the tool he uses for creating worlds is the finest modular synthesizer in the world, the Buchla 200e. In the glow of this altar-like cockpit, he welcomes the two inspired Swiss musicians, clarinettist Claudio Puntin (also mini-mallets and electronics) and percussionist Samuel Rohrer (also Kaoss pad and other electronics), both of whom have published their own as well as co-operative productions on ECM. With ambiq, they are now exploring remote musical universes on Rohrer's innovative arjunamusic label, with the aim of opening doors of perception to the electronic scene by means of enhanced possibilities of instrumental interaction. Samuel Rohrer, as an improvisatory sound pilot, is able to elegantly navigate beats and anti-beats. He expands the world of rhythmic functions with his artistic, cross-style overall concept to include striking emotional components. His percussion style flows with an implicit quality into his electronic arrangements, returns enriched with seductive energy and presents itself as the crucible for the contributions of his fellow passengers. Claudio Puntin' s unmistakeably smooth sound as he plays on all members of the clarinet family, with the support of mallet and electronics, is familiar to us from numerous CDs and performances, as well as from film, audio-drama and theatre productions. His live concept of floating, electronic spaces, layers of overtones and loops, which he customises for his clarinet sounds, opens up divine dimensions while creating the harmonic, melodic and tonal orbit for the satellites of his fellow musicians.