Andres' remix of Feeding & 3 mixes of Power Thru (KZR ReRub - ReRub Instrumental - Mush's Classic Sax Mix) that were previously not available on vinyl. This is a Promo copy. The commercial copy will consist of different mixes & tracks. 175 copies were made, 50 of which are going to Japan.So, First come first served on these bad boys.rnrnLuciano: "love it"rnrn rnrnOsunlade: "dope dope dope!"rnrn rnrnSolomun: "de luxe ! just beautifull !"rnrn rnrnJimpster: "this is double heavy! love it to bits. all mixes are spot on but i reckon the sax mix will be my pick for club plays."rnrn rnrnLaurent Garnier: "this is superb i loooooOOOOOve it Full support everywhere"rnrn rnrnTill Von Sein: "rerub instrumental is superb! totally up my straße"rnrn rnrnSebo K: "i love this release!"rnrn rnrnNick Curly: "amazing house release..really love it! will chart it, too."rnrnDJ Deep: "excellent 12"rnrnResident Advisor: It's hard to decipher the electronic music sound of Atlanta that Kai Alcé claims in his work for his own NDATL Muzik imprint. To these ears, the only bleeps worth noting recently from ATL have been the ones squirted out of the drum machines of guys named Birdman and Lil' Jon. But as Southern hip-hop continues its downturn, perhaps it's time for a new Southern sound to rise again, one that humanizes Atlanta's crude robotic sexuality with an old-school Detroit smoothness. That's what I hear at least in these re-rerubs of Alce's "Power Thru Pt 3" collaboration with Azulu Phantom. KZR—an alias for Alce—takes over the first two pieces of this digital-only release, luxuriating for a collective 14 minutes of instrumental and vocal versions of the track in the sublime power of a two-chord keyboard riff. Things get even more spare with the Original Broke Down Dub—as you might expect from the name—with Phantom taking center stage, but it's Mush's Classic Sax Mix that stars. The French producer is exacting where Alce's other mixes are loose, urgent where Alce is laidback. It's a mix that sounds little different from the KZR re-rubs element-wise, but Mush bulks up the bassline and the smooth jazz saxophone works wonders (believe it or not). It's eight minutes of bliss that doesn't exactly get me any further towards understanding what Atlanta has to do with it, but has me in thrall nonetheless.