London-based DJ and producer Jay Duncan collaborates with saxophonist Ben Vince on her debut release for Phantasy, introducing two wildly imaginative compositions alongside a simmering remix from Ricardo Villalobos. From the first notes of brass, quickly melting into a lucid shuffle, it’s clear that ‘In Limbo’ exists on its own terms. Vince's virtuoso playing, a feature of former collaborations with the likes of Joy Orbison and Mica Levi, is here gradually manipulated by Duncan into a hugely ambitious trip. This meditative and mysterious approach draws listeners deeper into a liminal, minimal space somewhere between the Fourth World as imagined by Jon Hassell and four AM on a dancefloor in South London. Duncan deftly raises the tension for the title track’s more percussive and arguably club-ready sibling ‘Anti-Purgatorio’, drawing out almost impossibly taut and inventive rhythms constructed around wormholes from which spill Vince’s instrumentation, washed downstream amid slippery modulations and a distinctive analogue atmosphere. Ricardo Villalobos adds to his own superlative history of remixes with a characteristically trippy take on ‘In Limbo’. Spanning nearly fifteen-minutes, the legendary Chilean-German innovator subtly reimagines this ambitious record in form true to both his own musical heritage as well as Duncan’s futurism.