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I'll never forget the many dancefloor dates my friends and I had with Harry Romero back in the late '90's and early naughties. Nobody turned out beats like 'Choo Choo'. Cro-Magnon, Erectus, Tania, Night At The Black, Suck My Clock, Beats Vol. 1 & 2, Mas Pito (as Mongobonix), the list goes on and on… Each and every one a seminal house smash, played by all and still sounding as fresh today as they did on their first spin.
2013 is the beginning of a new chapter for Harry, parting ways with his long time label group Subliminal, after completing a ten year deal, he is now free to release with other labels, and importantly, return directly to the beats. Already forging ahead with new releases on Ovum (under his Vaggio alias) and Sneak's I'm A House Gangster among others, here he makes his debut on Circus Recordings.
There is no question that Harry is one of the finest and most accomplished producers in electronic music, a serious beat maker like few others. And a seasoned dj since the early 90's in New York. Raised in a musical family -- his mother soaked the air with the Latin rhythms of merengue and cumbia, while his father, a former opera tenor, practiced his scales and listened to Beethoven. As a result, Harry was constantly looking to expand musical range. His trademark Latin touch can be heard in full effect once again on his new three track Circus release, The Butcher.
Circus Recordings owner Yousef spoke to Harry about his new music and his departure from Subliminal, visiting him in his New Jersey studio to discuss an EP. As a fan who has respected Harry's body of work for many years, Yousef was blown away when listening to track after track of Romero's new material, signing 3 cuts on the spot.
Harry tells us The Butcher was born after a night in Ibiza watching Luciano control the Pacha floor. Solo Man is nod to the mid nineties Romero, whilst Keep Pushing On is a jerky view on bass line 2013. All 3 tracks have been smashing Yousef's dance floors for some months now.
The Butcher EP put's Harry's name directly back on the underground dance floors, showing the world (once again) that Harry Romero is most serious of players.
Tracklist
Track 1
Track 2
Track 3