If you're given the task of trying to parse all the guises, collaborations, phases, and detours of Georgia Anne Muldrow's relatively young, relentless career as a singer and composer, well, good luck. This is an artist whose spirit of independence has scattered her presence over as many contexts as her psychedelic, jazz-inflected neo-soul sensibility can carry her-- an R&B auteur with a 24/7 omnipresence. You might've heard her on a Stones Throw compilation, or building the lush melodic backbone of Mos Def's The Ecstatic track "Roses", or forming a mutual-muse partnership with the off-kilter but sincere g-funk crooner Dudley Perkins, or sweetening up albums by Oddisee or Shawn Lee or Oh No. If you're lucky, you've pulled up a couple of her albums, weathering occasional bouts of formative inconsistency to savor the Nina Simone-indebted gems off releases like Kings Ballad or Owed to Mama Rickie. Defining her solely through any individual one of those works is clearly incomplete, but taking in the big picture of her output reveals more about her restless creative evolution than any easy synopsis.