With a spiralling musical complexity reminiscent of film scores, BBC Radiophonic Workshop, library music, criminal swing, Russian vitamins, tinnitus' twist, abstract jazz and musique oncrète, Gelbart surpasses himself this time by augmenting his palette of instruments to the extent where he becomes a small orchestra. The source of his musical identity plays the message of synths, broken organs, harpsichord (!), double bass, horns, cymbals and crispy drum machines. It's a spacetime reverie, where tsuburaya blows leaves for gamera while he who speaks through pyramids walks through echoville with dust on his shoes, contemplating the birth of alpha after the big sleep. While humming to songs of the second moon, the harpsichord automata leads the march of the thinking machines to a blissful silver big bang. The lps comes in a beautifully designed sleeve with cover artwork by berlin based german illustration star Benedikt Rugar who has contributed to newspapers such as the NY Times and Spiegel, as well as numerous animation film festivals.