Belgian techno icon Fabrice Lig makes his Subject Detroit debut here with a real driving yet emotional peak time techno banger complete with remixes from Aaron-Carl and DJ Bone himself. A. Hmong Dignity Original Club Mix Already a longstanding component in Bone's dancefloor armoury, Fabrice Lig's Hmong Dignity finally lands on SD. The scoring is opened with a tight groove - familiar percussion paving the way to a popping, head-bobbing kick, creating a rhythm that bridges the gap between classic and contemporary. Fabrice wastes no time in getting to the punch line however and swiftly dispatches the track's payload of unforgiving weaponised melody. Raw ingredients laid out, the plot is thickened with jazzy chords that finally falls away to an extravaganza of a break, complete with a funky-as-you-like riff and bassline to boot. An epic example of Detroit's unbridled influence on European techno. B1. Hmong Dignity Aaron-Carl Remix The late, great Aaron Carl provides a meaty rework to Fabrice's original. With a more "housey" aesthetic, AC switches to bigger, flatter kicks and chops up the immense central melody of the original in to more of a part than a centrepiece. Layered, stomach churning bass is deployed on the front line as the synths swirl and mingle around the main groove. Sitting comfortably on the house/techno border, AC's version is chunky, funky, raw and real. B2. Hmong Dignity DJ Bone Remix SD head honcho DJ Bone delivers an elite remix to round off Fabrice's debut Subject Detroit release. The groove that flies off the start line gradually thickens and expands, with Bone slicing up and morphing Fabrice's melody into a completely different beast as it tweaks and spasms in and around a pacey and complex groove. The beat gives way to a cavalcade of funky, arpeggiated synth stabs that remain a constant for the rest of the track, and even they continue to evolve as brooding bass and lush reverberating strings add a genuine next level to the track. As deep as it is tough, straight up yet funky, Bone's remix plucks certain elements of Fabrice's original, redrafts and revises and turns it into a dancefloor bomb in its own right.