First up, ‘I See You’, which has all the welcome of a sniper looking at you through a set of crosshairs. A glowering riff wades into alien frequencies and floating signals caught in Estroe’s bass-mounted operation. For all it’s worth as a piece of razor sharp techno, it still shows plenty of energetic, accessible bounce in its hydraulics, and ability to bring tension to arenas twice over where the pressure of the kick drum undercuts shadowy, ambiguous shades. Re-serviced by Deadbeat, the Canadian Scott Monteith speckles his nickel-plated pistons with dirt, double-times the original’s riff and drives home a metronomic, tech-energised raider of the dancefloor.