In the dark shadows of the rooftops of Haknam we meet esc.eip, who enriches Haknam’s second release with his affinity for deconstruction. His elements appear, melt and fade away to materialise in a deep, winding, dusky jam. The ever transforming structures contrast paranoid harmonies with the forceful percussive rolls, as in “unsound behaviour”. On the B Side is “miraa”, the aftertaste of a blissed out acid trip, soft shades build a warm space in which a lost saxophone appears and disappears.