Few are held in as higher esteem or instill as much admiration as the Italian deep house legend, Don Carlos. Imogen Recordings continue their stellar release form, locking down the maestro for a blissful two tracker that gives just as much energy, awe and emotion as his early '90s output. 'Alina' is eyes closed business right from the off. Waves of atmospheric synth strings and hazy chords roll in, as blissful pads sway with filtered drum loops. First come the dusky piano twinkles, then the trademark Don Carlos analogue bass tones, proving as prominent as ever behind melt-in-the-mouth sax grooves. Every turn and tweak conjures up memories of carefree elation - its ecstasy inducing dance music without the need for artificial enhancements. Part II is a variation on this masterpiece, progressing through the intro in a speedier fashion for those that need an express ticket to that peak time power. Shakers, claps and congas are brighter in the mix whilst the addition of a springing synth arp, fluctuations to the bassline and a re-sleazed sax line give just enough diversity to make it distinctive. It's hardier than Part I, but with every bit as much finesse and feeling. This is the real deal - no nonsense house music from a heart and head that have seen it all. Alone on a Mediterraneo beach or surround by a packed dancefloor, Alina is one to get lost in from start to finish and a solid statement that Don Carlos certainly still has 'it'.