Hot on the heels of our tentacular project “The Most Famous Unknown", Planet Phuture is proud to welcome rising French talent Cuften to the fold. A most fitting match for PP’s phuture-facing vision, Damien Peltier has been pushing some of the finest techno around over the last couple of years, landing a handful memorable cuts via the likes of Parisian label Tripalium and his own imprint, Purusu. Cloaked in dim-lit atmospheres and open-ended post-apocalyptic narratives, his debut solo 12″ blends in all of the elements that made his sound stand out from the crowd of releases coming up these days - traversed by dogged primitive rhythms and reassessed 303-infused Detroit’isms, but also stamped with his signature no-frills rave elegance. Speeding up the cosmic highway like Deckard roams San Fran’s neon-splattered alleys on the hunt for replicants, Cuften takes us on a full-immersion journey into dystopian electronic soundscapes. Full-beam on, “Solar Ashes” has us drifting amidst ruins of a devastated city - its lysergic bass languidly threading its way across brutalist concrete facades and cold ember set for reignition. A more martial affair, “The Black Rain Order” pulls out the rattling drums, slo-boiling arpeggios and moebius-strips of wistful acid to score a supremely tense crescendo, both optimally tasted on and off the dance floor. Moving up closer to the free-spirited vibe of the ’90s open-air raves, “Rise Of The Neo-Humans” unleashes a baroque firestorm of sucker-punchy toms and hyperventilating shuffle, woven against an endlessly expanding corolla of hallucinogenic shapes and fluttering harmonics. Sinking further deep into all-dark dubby grounds, “Lasttt Batttle” extrudes its obsessive melody out a thick gangue of squelchy chords and bleepin’ engineering to form the kind of brain-washing hybrid pumper that’ll roast your last remaining neurones.