There's also plenty of occasions where the compositions lean towards cinematic soundscapes particularly on the unnerving distortion of 'Forest'. However unlike on his 'Growl Garden' EP where vocals were used in a more chilling and dystopian role, those on the likes of 'Dolgoch Tape' are far more reverential and tender, closer to the spellbound serenity found on a Sufjan Stevens LP. Vocals funnelled into textures rather than dominant leads. Highlighting the album's contrasts and bonds between human and machine The Guardian described it as "wandering free from structure, deploying sunbursts of synths and metallic percussion, nailing melodies into your primitive brain." The album received excellent radio support in the UK at BBC R6 with A listing for the tracks 'Town Crank' & 'Clutch Pearlers'; in the US there were plays from KEXP & KCRW. You can read an interview with Chris Clark on the making of this album in DJ magazine here: https://djmag.com/features/clark-singing-different-song