It’s no secret that Idle Hands is a label built on a foundation of dub. From the earliest releases by Pev, Kowton and Szare through to more recent output from O$VMV$M and Christian Jay, the influence of Bristol’s soundsystem heritage looms large in the myriad electronic music threads the label encompasses. Sometimes this influence is explicit, other times implied, but the principles of sub heavy, spacious music for both body and mind guide the stylistic arc of the label as a direct result of the label’s long time immersion in roots and dub culture.